2nd May Wednesday
First part of our trip was in
Thanjavur and the second in Chidambaram.
We proceeded for the third part
of our journey by next day morning. On the way we had a glimpse of the outer
areas of the massive Neyveli Lignite Corporation and proceeded to
Tiruvannamalai.
Our plan was to visit two places
before reaching Tiruvannamalai – first Tiruvennainallur and second Tirukkoilur.
Tiruvennainallur
We reached Tiruvennainallur
around 11.00 and went into the temple. The area was slightly difficult to find
as our Saradhis were not clear about
the same. The reach to the temple was also through some narrow routes than the
main road.
Sunadarar as he was known, was
about to have his marriage ceremonies started when the whole function was
disrupted by an old brahmin. He claimed that Sundarar cannot enter into a
marriage since he is has authority over Sundarar’s life as a master to a slave.
Naturally a commotion happened and Sundarar also was extremely scathing in his
attack to the oddly looking person who was spreading a beautiful ‘parimalam’ – fragrance inspite of his
appearance. Sundarar addressed him as ‘Pittha’ and questioned– “What are you
talking about? What proof do you have to come with such an allegation at the time
of such an important function in my life which actually changes my life course?
Are you mad?”
The old Brahmin said that he was
from TiruVennainallur. Because of the ‘Tarkam’
which had happened due to this, everyone was taken to the Naattukoottam (Local
panchayat) at the place.
The odd looking Brahmin, with
vibhoothi on his body, Rudaksha around his neck and matted locks, showed the
people around them and Sundarar a palm leaf where it was written by Sundarar’s
grand father that he and his sons will be a slave – ‘adimai’ to this person. Some of the people who had gathered went to
Sundarar’s house took another leaf where writings and signature of his grand
father was there. The signatures matched!!!!. (Most of the systems in society
which we are taught as modern day innovations in the last 2-3 centuries have
been so prevalent as a system of life in India so long before…)
With the incredible unfolding of
events, the Naattukoottam which had convened at the precincts of the temple of
Tiruvennainallur got convinced that there was merit in this unique person’s
demand and was finally declared that there was enough evidence for Sundarar to
be a slave to him until he releases Sundarar of his slavery.
Thus hearing, the old brahmin asked
Sundarar to accompany him and literally pulled him, at times dragging him along
the way and the temple. Sundarar was absolutely crest fallen and entered the
state of ‘no-thought’ as his experience was so shattering that it changed all
that was around him. The moment he was pulled in by his “Master”, he lost all
his mental ‘vikshepams’. ‘Mano Vrtti Layam’ happened and he went
into the temple after his “Master”.
His “Master” walked straight into
the ‘Garbha Grham’ which may have
slightly surprised Sundarar to come out of his mental stillness. Sundarar saw
him disappearing into the Siva Lingam there and was astonished to see this
phenomenon. He tried to look into the sanctum santorum to actually see where
his “Master” went and he did see HIM – Lord Siva gave him the darsanam with Parvathi at the place
where Siva Lingam was kept. The sight of the Lord himself brought the memory of
his previous births and the reason why he was born. His intellect was
absolutely clear and Jnaana Amrutha Paanam
was fully experienced by him then. Sundarar became a Jnaani at that moment.
Sundarar was asked to sing about
his “Sakha”, his “Master”. The Lord
also said that he liked the way Sundarar addressed him initially – “Pittha” – ‘Hey Mad Man’. So he suggested
starting with the same – And Sundarar Sang –
“Pittha Pirai Soodi Perumane Arulala” – This comes as the 7th
Tevaram in the Tirumurai.
This was the temple where all
this divine ‘leela’ happened. The
temple did not have much crowd when we went there and we had a very fulfilling darsanam. The archaka was kind enough to explain the details once again and
showed us a very unique artifact in the temple.
Lord Siva, when he pulled in
Sundarar to the temple and went inside the sanctum sanctorum, had left his ‘padukam’ outside. The same is kept even
now in a sandal paste and inside a glass covering. Seeing the padukams, the very, used by Lord
himself, we were overcome with emotion and relived the episode in our minds.
How do we explain the ‘Apaara Karuna
Mahima’ of The Lord who comes in and deliberately saves the jeevan. – ‘Thaduthu Aal Kondein’ is a very important and relevant term in
almost all the Tamil Saints and their Songs. The Lord himself / herself comes
and ensures that the ‘I becomes a ‘jeevanmukta’
when the complete surrender – the ‘aatma
samarpanam’ happens.
“God, through His grace attracts
the souls like a magnet attracting the iron. " – 5th Sutra, Siva Gnaana Bodham – by Mei Kanda Devar
The Archaka at the temple was gracious enough to give a printed version
of the ‘varalaar’ – the history of
the temple. The book’s title itself is “Thaduthu
Aal Konda Varalaar” and was in
Tamil. We also saw Devi Sannidhi and then the hall where the Naattukoottam meeting happened in front
of the temple itself.
Thus filled with emotions we
started off to our next location.
Thirukkoyilur
The town has two main temples one
of Vishnu and one of Siva. The Vishnu temple is in the form of Thiruvikrama
Swamy and Vedavalli Thaayaar (the Vaamana Avatharam also known as Ulakalantha
Perumal) and is one of the 108 Divya Deshams. The Siva temple is known as the Veeratteswarar and is the second in the Ashta Veeratta Kshetrams – the places
where Lord Siva did the Veera Bhava
protection.
We reached around 12 noon and the
temple archakas
were making some arrangements for the ensuing festivities which were supposed
to start the next week or so. The archaka
here also was kind enough to explain to us and show some uniqueness of the
temple. The temple was the place where Lord Siva killed / destroyed the Andhakara Asura and did the Veera
Bhavam. In one of the bronze statues in the side of the main sanctum, this
is clearly depicted and the asura is
lifted up on the Trishulam. He had to
be lifted so that his blood drops were taken in by Devi separately as fresh
Andhkara Asuras were being created from these drops. The Asura himself originally came into being when Devi playfully closed
Lord’s eyes when they were spending time together.
Archaka also said the following details on the temple –
This was also a Sukra Kshetram as the Asura Guru was given Anugraham by Lord Siva by swallowing him
and then releasing him after the samhaara
of Andhakaasura, for otherwise, he would have brought the Asura back to life using Sanjeevani Vidya..
The kshetram was also said as the release place of Dakini, who is a consort in the inner tantric methods. It was said
that the place is also famous such that the Saptha
Mathrikas, Maha Tripurasundari and all the 64 Bhairavas and the Bhairavis
came into their forms here. This was also a place where the Vaastu Purusha was brought into form.
One of the temple corner walls on the top has Vaasthu Purusha being sculpted also.
Apart from this, Muruka here,
which is on the right hand side when you come out of the main sanctum, has been
sung upon by Arunagirinathar and is famous as Shanmukha. Muruka wanted to do
tapas due to the killing of demons and Devi Ambika showed the location where
her vel fell. The place is also known as Tiru
Kai Vel.
The Durga devi who is in the prakaarams have a uniqueness that her
eyes glitter when shown the Aarathi.
Whether the sculptor was skillful enough or a divine presence manifested there,
either way this is a very special significance and certainly prayers to Durga
is very famous here.
The south west has Vinaayakar who is an equally if not more
famous presence here in the temple. It is said that the great Saint Avvaiyar while
doing her worship here at the idol of Ganapathi, looked up and saw Sundara
Moorthy Nayanar and Cheraman Perumal in the sky flying towards Kailasam. When
she hastened her Pooja, Ganesha asked her – “Avvaiye, why the haste?” When she
said the reason, Ganesha asked her to finish her Pooja in the normal way and
ensured that she would be taken to Kailasam by himself. True to his anugraham, he showed his Viswaroopam and
as ‘periya yaanai’ – big elephant, he
lifted her on his trunk and in a ‘nodi’
– smallest fraction of time, she was taken to The Lord’s abode at Kailasam
where Nayanar and Perumal had reached. Such is his grace that he is known as Periyaanai Ganapathi. Avvaiyar had
composed the famous Vinayakar Agaval
on him.
The Ambal is known as
Periyanayaki, Sivanandavalli and Brhannayaki also. The Archaka showed us the
Devi vigraham and specifically showed
her two Karna Abharanams – these were
Sri Chakrams!!!
The place is also said to be the
Samadhi of Meiporul Nayanar who is one of the 63 Saiva saints. This is also a
place of birth of at least two other Nayanaars also.
This was a major temple in the
main stream Saiva Sampradayam and we came out after our prayers for our onward
journey.
Gnaanananda Swamy Samadhi
I had read about his Samadhi
place but however was not sure in which direction it was from Tiruvannamalai. Though
all of us were tired and were trying to reach Tiruvannamali for a good lunch
and some rest before the start of our next rounds, I was hoping to see any
directions to his Samadhi Mandapam.
The place is known as Gnaanananda
Tapovanam and is on the same river Banks – Pennar as Tirukkoyilur is. The place
is on the route from Tirukkoyilur to Tiruvannamalai. At this place due to a
barricade on the road by the police and the crossing of some cows, our vehicle
almost had to be stopped and while it slowed down the Aashram was seen on the
left side. I was amazed to personally witness this karuna by the Lord where his Samadhi Aashram was seen almost
unexpectedly. We carried out with our journey after this temporary halt,
mentally doing our pranams at the
great sages’ feet at his Samadhi and receiving his blessings.